For My Kids

Short & Sweet

Abstract Art in shades of Teal and dark fucshia named Veil Sides by Elizabeth Mullen Matteson

At my first New York gallery show, an Ukranian artist named Bokov drew caricatures1 of those present. Mine was a young girl with a big head, tiny neck, and disconnected body. I didn’t like it at all, I already felt like a big-headed bumpkin in the big city, so I was uncomfortable seeing that reflected back.

I thanked him and carried on. He was a lovely man.

Four years later and Bokov came to my solo show, and drew me as Miss America, smiling, carrying roses, and wearing a sash. I didn’t like that caricature either. I wasn’t in New York to be Miss America, I thought, although I’d carefully chosen clothes that flattered me and smiled at all the guests who arrived.

But what did he see? My working waitress days still colored everything I did: welcome, smile, welcome, here’s some wine…

So while I played smiling hostess, I actually wanted to be understood as a “serious” artist ready to launch to the next place. My ego got insulted because my ego got called out. I had one, and it was apparently a stuffed-down, presentation-oriented b*tch, who could run like hell when shown itself.

Bokov saw correctly: he captured some basic nature that seeped out all over the place – I was 26 and wanted to be beautiful, and also to “win,” whatever that meant. I could barely look at his art, because he saw me too clearly.

He saw true, and that’s what artists do.


All I can think now is that who we think we are, and what the world reflects back to us can be uncomfortable, especially when we think we’ve successfully buried the lead: who we are as human animals. In my case, I had a frail and faulty ego, with a presentational coating that existed precisely to mask my inner life and keep me feeling in control.

There’s no real end to this story, except to note that a healthy person would simply chuckle at the drawing, and carry on, unconcerned with good-natured reflections from others. It’s like being roasted: the biggest egos need to learn how to take it, and still love themselves and move on.

Better to simply get back to art. This drawing is from yesterday. I haven’t had a nature walk in many days, so took a photo of these lines on a driveway to begin. It explores the difference between veils and sides.

Veils carry style and mystery and allure. Sides are often viewed only one at a time. Both indicate wholes and include information of two types: that which is desired to be seen (like eyes above a veil, or a “light side”) and that which is under or the opposite (like what’s behind the veil, or a “dark side”).

  1. I’ll try to dig these drawings up for inclusion here soon. Right now they are in a container in my sleeping teenager’s bedroom and I don’t dare wake them early. ↩︎